Drawing has always been my passion and my focus. Please visit my web site for more images and information.

The works shown here are part of a current series inspired by fairytales and legends. Although several pieces, such as "Girl in a Box", have strong political elements, the series is primarily an exploration of visual art as an aspect of storytelling. All story-telling is participatory--you must have a teller and a
listener. Art is participatory--you must have a maker of art and a
viewer. In the moment of interaction between the artist’s act of making art and the viewer's act of responding to the art, a new piece of art is produced, something unique that may only last for that moment of looking. According
to Maya Angelou “There is no greater agony than bearing an untold
story inside you.” That is very true but, I would add, speaking of my
own art-making, that there is no greater joy than to have told a good
story.

Cynthia Tom is a visual multi-media artist, passionate about social justice, women’s issues and playing with the accepted norm. Surrealism is the platform for her ideas to ruminate, take form, solutions discovered and color to inspire.

    A seeker and philosopher about issues in her life, her ancestors and the community of women, she is inspired by dialog with friends and family, forming new themes and stories for her work. Collaboration and brainstorming are her playgrounds.

    Her work has been exhibited at the Legion of Honor in San Francisco, the De Young Museum, and Yerba Buena Center for the Arts and various other galleries from New York to Washington to San Francisco. She lectures on her work, issues related to women, feminism in the arts and Asian American women in the arts, most recently for the College Art Association’s Annual Conference.

 Cynthia is included in the text book, “Women Artists of the American West”, edited by Susan Ressler, University of Purdue and “Traces of Migration and In-Betweeness: Poetics and Politics in Post-colonial Asian Women Artists”, by Laura Fantone PhD, SF Art Institute ,University of Padua Press, Italy.  Cynthia is currently Board President, Exhibitions Curator and Programs Chair of AAWAA, Asian American Women Artists Association.

    A third-generation Chinese American, Cynthia draws inspiration from divergent

cultures. The resulting contradictions are expressed in a variety of ways. Eastern and Western symbols often share space on the same canvas. Fanciful dresses portray a prophetic wish for people to raise their consciousness and her strong female images evoke a longing for freedom of expression and a life of choice.

    Symbols, cues and clues fill her art, which is described as “Cultural Surrealism”.

Cynthia’s paintings and installations persuade us to look beyond the aesthetic--to challenge stereotypes and traditional roles, questioning paradigms and

encourages our internal dialogue.

Drawing and painting portraits has always been at the core of my artwork. In my portraits I strive to express the passion and personality of my subjects and capture an inner aspect of who they are. My portraits evolve like improvisational dance. I sculpt in color and form, continuously transforming and remolding my image, like working with wet malleable clay. I am influenced and inspired by great Impressionist and Fauvist painters such as Monet and Matisse.

"What the eye beholds
the tongue need not explain."

Working in watercolor, oil and dry media I paint primarily animated still lifes and landscapes.  Bones, household objects and strait jackets are common subjects.  Travels in New Mexico and along the Pacific coast influence my land and seascapes.

My work has been called "intelligent", "twisted domestic", and "structural still life".

I view my work as a cultural intervention that utilizes formal strategies as a means of engaging a range of very personal historical and social issues.