Artist: Cristina M Ibarra (authored by Cristina Ibarra)
Submitted by cristinamibarra on
Submitted by cristinamibarra on
Submitted by markdpowers on
I work with stone, ink, glass, paper, and more from my Revere Street studio in San Francisco.
I welcome exhibit enquiries, and studio visitors by appointment.
Submitted by alanhopkins on
My current work is highly influenced by my work performing wildlife monitoring. I am interested in the interaction of parameters imposed upon a system and the chance observations made within those parameters. Most of my work involves repetition and/or ritual to some extent.
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Submitted by Rice and Beans on
Rice and Beans is a collaboration between Geoff Campen and Diana Ruiz. We are artists and architectural designers interested in the interaction between constructed reality, and the natural world. Geoff Campen explores these themes through architectural and construction imagery. He finds and displays inherent order and chaos in both construction and nature. He then contrasts these images with natural materials and colors. Diana Ruiz creates organic forms and surreal botanical creations with found objects, wood and wool in many variations. She is inspired by creatures (real and imagined), and collects a little of everything. Diana Ruiz and Geoff Campen are married and live, work and make art in San Francisco.
Submitted by kruzline on
Michael J Kruzich
Mosaicist
fine art/ commissions/ workshops
"I have been a professional ballet dancer for the past 28 years. Many aspects of my theatrical background present themselves in my mosaic subjects. They are often characterized by movement, dramatic and subtle color/ light contrasts and a high level of detail. Personally I have an affinity for antiquity, mythology and the heroic, and my natural attractions lean toward classical realism and figurative renderings. I seek to use this ancient art form to also capture and preserve the aspects of contemporary life and nature that I find moving and to inspire and create an experience for the viewer.
Related to commissions, I try to apply some of the same disciplines I practiced in my dance career. As a dancer I was trained to be as versatile as possible and to cultivate an ability to interpret concepts and styles from the ideas of many different choreographers. I approach a commission with the same blank- canvas idea; inevitably bringing my own style together with the needs of the particular project to create a fusion of artist/client ideas.
I was trained in Ravenna, Italy by Maestra Luciana Notturni and have since been recognized internationally for two consecutive years; winning awards at the annual “Mosaic Arts International” exhibits in 2010 and 2011 as well as work being published in a recent mosaic portraiture book. I am also a professional level member of the Society of American Mosaic Artists, and teach ancient mosaic techniques out of my studio in San Francisco.
I work with natural stone, and Italian glass, primarily using ancient techniques developed in Italy before and during the Byzantine period. I find the qualities of these materials, combined with the classical methods, convey a sense of timeless strength, importance and elevation to whatever subject is rendered in this meticulous discipline.
Art has been my life’s work. I approach it with great passion, devotion and responsibility. To create an enveloping experience for the viewer is my goal, and in every discipline I bring together many detailed pieces to make up a grand overall impression. In my current mosaic work I enjoy the challenge of “painting” with tesserae; fusing colors into a wondrous whole creating the illusion of seeing colors and shapes blending together like painted objects.
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Submitted by ann phelan on
Artist Statement:
There is an element of play in my work, even with ominous subject matter. My favorite support material is brown kraft paper that encourages my spontaneous approach. In addition to acrylics, my mediums include oil on panel and canvas
Bio:
A San Francisco based artist with a studio in Hunters Point Shipyard and Pt. Reyes, Ann Phelan has been exhibiting nationally since the 1990’s. Although several decades younger, Phelan’s work shows the influence of the art of Lawrence Ferlinghetti who has been a mentor to the artist. Phelan’s own work has an independent approach to the realms of dream-states with a fairy-tale like symbolism and a color-palette closer to European painting that links her to her great grandfather, Wickenden, an antiques and art dealer in Auvers sur l’Oise who sold work of Corot and Daubigny.
CV upon request