Wong sees color as a mechanism of infinite variety with which to capture the complexities of daily life.  Layering texture and paint in an effort to hide one world from the other, she finds that the subterfuge at the intersection of pain and privilege allows art making to become a symbol of redemption.  Her collectors see something of themselves and their own search for meaning in her work.  According to Wong, "All of nature is alternatively destined either for destruction or for a dance, and I want to catch a moment in that process."