my poems emerge from the dark of you meeting i. then there is something more than light. there is life.

in this life there are people wanting secret wishes taking shape as poems; friends connecting 3000 miles of wonder and wisdom and what now’s; lovers giving each other keys to rooms they’ve always wanted to open; rain smells on sidewalks; kites shaped like swallows; squirrels; chickens; yes; no; o; oh!; children laughing as mothers underdog them on swings; men named harry and women named betty living in nursing homes writing poems for the first time in their eighty-something years of life, “well,” they say, “how about that.”

that is where magic lies, where a poet turns teacher, meets old people turned friends, and so much waiting and wanting comes alive. that, like tea-lit pumpkins on porches and thousands of fireflies looking like fallen stars over a field at night, and punctuation changing so many things, that is the stuff of my life.

if you’d like to know more about my work teaching poetry in nursing homes, visit the Institute on Aging’sCEYA Program

if you’d like to hire me to write poems at your next event, or teach poetry, contact me at [email protected]

thank you so much for your support. yours in poetry and gratitude,

silvi

p.s. the poetry store is an interactive experience where, in 3 minutes or less, you get a custom poem typewritten on beautiful paper, about anything you want! also for sale: one-of-a-kind art & jewelry inspired by the same of-the-moment process and made with an upcycled ethos and vintage appeal.

Experiencing a deep friendship is a creative act, through which vulnerable persons transform each other as they open themselves to influence. Great friends share themselves, and receive from within. "Flight Of The Internal Compass" looks at the creative act as found in relationship (Spring 2015, Familius Publishing). 

Rebecca Meredith works can be found in children's books, magazine content, surface pattern designs, licensed content, and in individual, gallery and corporate fine art collections. Her work engages the mind and beatifies the eyes, thus providing lasting interest and satisfaction for the viewer. The sociological orientation at the heart of the work aims to synthesize both the shaping factors of an experience and the symbolic content derived therein. She also engages her work and that of others through her classes and lectures in art foundations, history and theory. Awards include Top 100 Artists by Paint for America, a teaching fellowship at Mission 17, Museum purchase by Triton Museum of Art in Santa Clara, numerous artist residencies around the world, and a grant from The Sam and Adele Golden Foundation for the implementation of an arts program at an orphanage in Jalisco, Mexico. Rebecca Meredith currently resides in the California Bay Area.

As a photographer and book designer, I am deeply invested in looking closely at the natural world around us. My current explorations are with seaweed and kelp.  I have authored six books on forms in nature.  Please visit my website:  www.josieiselin.com

I am a fine art photographer whose photogaphy is eclectic as it's sometimes traditional, sometimes modern, but almost always colorful!

I am a San Francisco artist, deeply inspired by the beauty all around us: the contradictions, humor, connections and straight up gorgeousness of City and Nature.

This work captures the experience of personal challenges, delights, loves, perspectives and perceptions. Projected on this place from a crow’s nest in San Francisco. It pays homage to the eternal history alive in the buildings, neighborhood and ever-changing community.

Art is a VERB for me. It is an action word and not a statement, nor an object. The most important part of artist's life has always been feedback, either positive or negative. Feedback is the result of vital functions of art since any feedback is an evidence of existence, presence and growth.

Anna Seven

The purpose of this series is to highlight the beauty in the ignored and disregarded elements that surround us in city life. Although this series was inspired by my surroundings in San Francisco, the paintings are intended to transcend a specific time or place. Since moving to San Francisco, I have completely fallen in love with city living. I walk along the city streets for my daily commute. I travel everywhere from the Haight to the Castro to the Mission to Civic Center to the Financial District to SOMA to Chinatown and all the way to North Beach. I am always immensely focused on the textures, patina, grunge, decay, bumps and curves that emphasize the history of the architectural structures surrounding us.  And yet, many city dwellers seem not to notice the beauty in the decay surrounding them. Another prime element that surrounds me on every step of my walks in the city are pigeons. Unlike us, pigeons seem to be very in touch and aware of their environment. Pigeons inhabit every city in the world, hiding in plain sight on lamp posts, in building alcoves, on fountains and even on parking meters. These throwaway birds that are likewise ignored and disregarded, find refuge on these taken for granted structures that surround us. By utilizing the city as their personal playground, these “rats of the sky” cause even more damage, decay and wear on the city that provides them their only shelter.  But alternatively, one could argue by utilizing these structures, pigeons honor the architecture more than we do. This series of paintings is the study of the dichotomy between these disparate views.

“I don't paint anymore, I explore.”