Artist: Jennifer Maria Harris (authored by tallpainter)

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Jennifer Maria Harris
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I believe one of the first places we learn to define our selves and our worlds is in stories, those from books and those we are told by our families and our society. In my paintings I create characters in symbolic environments to explore our relationship with those narrative worlds. In my print series, Primer, I deal with narrative more literally, layering text from nursery rhymes and contemporary news articles to reveal common themes and questions running through these two very disparate forms of storytelling. And in my conceptual and public art project, Fear Not, I explore the impact stories have on our perception of risk.

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Artist: Vannina Malekzadeh (authored by vannina)

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Vannina Malekzadeh
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My work is inspired mainly by the use of color, which means to me light, happiness, and pleasure. I seek to turn everyday life into a more textured reality. Creation is for me a way to stir up my emotions and let my imagination run free.
Acrylic painting and collage are my favorite media. I mix them together so that one is always enhancing the other one. Acrylic painting is a very gratifying work as you can play easily with colors; have them blend to create something unique and new. I use knife as a tool. Collage is more into adding a little piece to another to build very slowly the result you are hoping for. I love the contrast of these two different works.
When people see my work I would like them to feel happy, just happy.

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Artist: Meg Reilly (authored by Meg Reilly)

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Meg Reilly
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My Syracuse University BFA during the mash-up of the 1960s-70s reflects the confluence of all we learned from the old masters, merging with the fast flowing stream of modern movements and sub-movements. An additional 30 years of broad interests and experience find me now with a free-ranging style- representational, abstract, impressionist. I paint and photograph what pleases me. I hope it pleases you too.

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Artist: Demetra Theofanous (authored by strbflds)

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Demetra Theofanous
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My art is a poetic exploration of my ideas…an extension of my inner self, allowing me to express myself in ways I can’t easily articulate.  I went through a drastic change in what I thought was my path, before finding glass.  I seek to express that need to be true to self, through my work.

My signature is a technique I developed for weaving glass, which allows me to create large scale sculptures by melting glass in the flame at a table top torch.   I built upon this idea, and have personally developed many of the techniques used to create my intricate, lampworked glass sculptures. This process of weaving, and making components, can take up to 3-4 months, for a large scale piece.  I often combine flameworked glass with pate de verre, in a casting process I learned from the Higuchis.  By working with colored glass powders and frits, I use a painstaking process of layering color, to create a cast leaf or nest.   I have since pioneered an approach for casting and attaching pate de verre components to my lampworked glass sculpture.  I also create much of the subtle color in my work through a process of blending and mixing color, and pulling cane… much like a painter would on a palette. In fact, I view the flameworking and pate de verre process as being very similar to painting. My unique use of color and careful, yet gestural sculptures are a symphonic exploration that continues to lead me in new directions.  It is this exploration, and the freedom therein, that drives my desire to create. 

Technique merges with narratives in my work, to express metaphorical bridges between nature and human beings.  Through the delicate, glass nests, flowers, branches, and leaves in each piece, I seek to depict the cycle of life:  growth, discovery, change, and renewal.  Inspired by the storytelling tradition of woven tapestry and basketry, I see myself weaving with glass to connect the viewer to the story of the natural world.  I bring glass to life, using its fluidity and fragility to express the beauty, vulnerability, peacefulness and decay found in nature's story.  In pieces like "Choice", "Renewal", and "Becoming", I consider the tension between inner strength versus timing and circumstance, and their impact on choice and personal growth.  My eggs, buds, and flowers are key elements that evoke this notion of rebirth, becoming, and transformation of self. 

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Artist: Suzanne Q. Egan (authored by [email protected])

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Suzanne Q. Egan
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Most of my work is in acrylic paint on stretched canvas. Large, bold, lively, complex, imaginative, and emotional. Lots of paint, and bight colors. Years of work. Intense. Different and memorable. Ok, I'm out there!

Artist: Caro Pemberton (authored by caropemberton)

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Caro Pemberton
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My sculpture derives from the human figure, whether representational or abstract form. I begin a sculpture by looking for a figurative gesture within the stone I am carving. By working from a gesture I am able to contrast the movement in the form with the solidity of the rock, and to also contrast the texture and weight of the rough stone with the beauty of the final polished stone.

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Artist: Sara Kahn (authored by SaraKahn)

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Sara Kahn
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Sara is mesmerized by visual delights; the color of light going through a prism or the way colors run together when one puts them on the paper; a beautiful brocade pattern; a marvelous dream. She paints in an attempt to take visual notes of what she finds intriguing.

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