Artist: ArtSeed / Studio MSI (authored by artseed)

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ArtSeed / Studio MSI
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ArtSeed is a volunteer-based nonprofit public charity with a mission to inspire and empower all people to realize their full potential and embrace diverse communities. Our innovative and collaborative fine arts projects, exhibitions, classroom arts integration and long-term artist/youth studio apprenticeships invite the young and/or disenfranchised to utilize the arts to broaden all of our horizons. Chuck Three Productions, a video production company, has been collaborating with ArtSeed in a number of ways. This includes creating video & photography media for ongoing projects, video arts/photography instruction, and working in a one-on-one apprenticeship.

Artist: Ann Phelan (authored by ann phelan)

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Ann Phelan
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Artist Statement:  

There is an element of play in my work, even with ominous subject matter. My favorite support material is brown kraft paper that encourages my spontaneous approach.  In addition to acrylics, my mediums include oil on panel and canvas

 

 

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A San Francisco based artist with a studio in Hunters Point Shipyard and Pt. Reyes, Ann Phelan has been exhibiting nationally since the 1990’s. Although several decades younger, Phelan’s work shows the influence of the art of Lawrence Ferlinghetti who has been a mentor to the artist.  Phelan’s own work has an independent approach to the realms of dream-states with a fairy-tale like symbolism and a color-palette closer to European painting that links her to her great grandfather, Wickenden, an antiques and art dealer in Auvers sur l’Oise who sold work of Corot and Daubigny.  

CV upon request

 

 

 

 

 

 

 

Artist: Aldo Smith (authored by aldosmith)

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Aldo Smith
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My paintings provide a portal, inviting the viewer into the subtleties of rhythm and movement. The composing process involves layering paint, with attention to clarity and detail, so that light enhances the colors and creates dimension. There is a strong emphasis on traditional, classical techniques so that the viewer may better appreciate the beauty, peacefulness and tranquility of the subject.

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Artist: Robert Lowrey (authored by LoweryLowrey)

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Robert Lowrey
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I try to appropriate (when appropriate) from artists of the past and use iconic images of the present to create a body of work that uses ideas and materials that have been discarded and ignored as useless or trivial and transform them into something that can be appreciated.

Business has usurped the very meaning of manufactured and perverted it. As taken from the two Latin words manus for hand and the verb factere for to do/make, manufactured literally means made by hand. In other words, art is all that's left in our world that is manufactured. Andy Warhol's use of the term "factory" for his center of production was a reflection of this reality. Everything else, if it were put more accurately, is machinafactured goods.

To then share these creations, I have made greeting cards and websites and, of course, a Facebook page, learning along the way that the marketing of art takes far more creativity, toil, time and expense than producing the art in the first place does. 
 
So the goal of my Open Studio participation is to share the excitement of creating and showing (and hopefully, selling) art.

 

Artist: Derek James Lynch (authored by derekjameslynch)

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Derek James Lynch
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Derek lynch was born in Englewood NJ and currently lives and works in San Francisco CA. Solo and Group exhibitions have been featured at: Schneider Museum of Art, Ashley Oregon, Bedford Gallery of Contemporary Art, Walnut Creek, CA, SFMOMA Museo gallery, San Francisco,CA, SFMOMA Artist Gallery San Francisco, CA, Gallerie Citi, CA. .

Artist Statement

My new work involves the creation of urban based Idealized landscapes in dream like circumstances. Ambiguous relationships and unsettling juxtapositions.

I am focusing and dissecting, rearranging forms derived from the architecture of the bay area to create new perspectives.

My text are idioms of my perception of reality base on the Current social political life we live.

The outcome can be whimsical and yet it offers a serious sociopolitical commentary on the changes to our urban landscape.

My perception of reality, and how I interpret it, was shaped by the implications of the housing scandals of the last decade.

I am attempting to combine these observations to create a compilation of connective awareness.

In 2006, I began working with architectural forms using ink, pencil markers, acrylic paint, and archival pigment. My use of these materials has become a prominent feature of my work..

I was fortunate to attend the School of the Visual Arts in New York City in the early 80’s with artists such as Keith Haring and Kenny Scharf.

As a musician my band played at CBGB's in 1986 & 87 at the Christmas special as the 'Special Guests' after the performance in 1987 we performed live on WFMU radio.

My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.

My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.

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Artist: Paul Knowles (authored by paulknowles)

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Paul Knowles
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art makes me make art makes me. i work in a variety of mediums, reflecting my take on everything from societies absurdities to its beauties. Often I work quickly on impulse and find i achieve my best results this way. In the past i have worked with ceramics, but currently focus on latex painting, drawing, silkscreening, installation, and performance art.

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Artist: Oliver Klink (authored by oliverklink)

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Oliver Klink
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Oliver Klink – Nature, Wildlife and Fine Art Photographer 

I like to make people dream and to tell stories with my photography.

My intent is to capture the complex ecosystems that we live in. Any subjects I photograph, whether it be nature, wildlife, culture or landscape, reflect the challenge to preserve some of the beauty of our rapidly changing planet.

I photograph with a print in mind as the output and rely on advanced techniques to capture details. My intention is to print images “almost” life size, so that even a trained eye discovers new interaction, new feel, new creatures, and the intricacy of the ecosystem every time he looks at the images.

One of my secrets for capturing intimate scenes is the use of shorter lenses and cameras traditionally employed for portrait and fashion photography. It requires extensive knowledge of the subjects, so I can capture their personality at close proximity and deliver images that make you feel you were there.

My photography takes you to places that are real but can also be turned into dreamlands. I use both staged and real events to discuss the blurred boundaries that exist between reality and fantasy. At first, the photographs may tell a story that is real, until one discovers only gradually that they contain elements of fiction, or vice versa. This was the premise for my work entitled “Romance”.

In my most recent project on the African wildlife, titled “Life”, I even go a step further. I use multiple cameras, take exposures from various angles, and composite images in post processing. My intent is to go back to my main goal and make people dream.

Additional information about my work can be found at www.incredibletravelphotos.com and www.oliverklinkphotography.com

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Artist: Charlotte Kay (authored by Charlotte)

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Charlotte Kay
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“The ground we walk on, the plants and creatures, the clouds above constantly dissolving into new formations — each gift of nature possessing its own radiant energy, bound together by cosmic harmony.” — Ruth Bernhard.

As a photographer of urban and rural landscapes, I’m elated when there are clouds giving texture to the sky. The elusive, ethereal, and elemental beauty of clouds has always enthralled me.

I tend to see patterns of color, shapes and shadows in both natural and man-made environments, capturing the beauty created when these two environments combine. I’m now working in my studio with kiln-formed glass— transforming these images into layered glass "paintings". Working with different types and sizes of glass (opaque, translucent and clear sheet glass, powders and frit) lets me manipulate the light, depth and texture in each image.

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Artist: Karyn Yandow (authored by kyandow)

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Karyn Yandow
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"Using nature as metaphor to explore human spirituality and connectedness the common thread I weave throughout my photographs reflects upon the poignant meditative beauty of spirituality, loss, fragility and hope that reaches beyond the eyes and into the soul."

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