Artist: Kate ( Rong ) Handwerger (authored by katehandwerger)
Submitted by katehandwerger on
Submitted by katehandwerger on
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Submitted by ulfeldt on
My work often references the life sciences and the human body through mechanical action and movement, drawing comparisons between the ways living organisms operate, and that of machines. Like living cells, the installations I create use light, air, water and electricity, to become functional and interactive. My work often involves the sensation of touch and the element of surprise. It can be playful, alarming, and sensual all at once. I want to blur the line between life and something that mimics life through interaction, growth,movement, or decay.
So much of our perceived well being is dependent on the technology we use to create mental and physical comfort. We are surrounded by simple life support systems such as lighting, air conditioning, and household appliances. When our survival is threatened by physical illness we are plugged into machines to keep us alive. It is our moment to moment relationship with modern technology, both simple and advanced, that informs my work. Most of my installations look like or reference appliances but their intended function is unexpected and therefore creates an uncertain and sometimes humorous relationship between human and device.
Submitted by markdpowers on
I work with stone, ink, glass, paper, and more from my Revere Street studio in San Francisco.
I welcome exhibit enquiries, and studio visitors by appointment.
Submitted by alanhopkins on
My current work is highly influenced by my work performing wildlife monitoring. I am interested in the interaction of parameters imposed upon a system and the chance observations made within those parameters. Most of my work involves repetition and/or ritual to some extent.
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Submitted by LoweryLowrey on
I try to appropriate (when appropriate) from artists of the past and use iconic images of the present to create a body of work that uses ideas and materials that have been discarded and ignored as useless or trivial and transform them into something that can be appreciated.
Business has usurped the very meaning of manufactured and perverted it. As taken from the two Latin words manus for hand and the verb factere for to do/make, manufactured literally means made by hand. In other words, art is all that's left in our world that is manufactured. Andy Warhol's use of the term "factory" for his center of production was a reflection of this reality. Everything else, if it were put more accurately, is machinafactured goods.
To then share these creations, I have made greeting cards and websites and, of course, a Facebook page, learning along the way that the marketing of art takes far more creativity, toil, time and expense than producing the art in the first place does.
So the goal of my Open Studio participation is to share the excitement of creating and showing (and hopefully, selling) art.
Submitted by derekjameslynch on
Derek lynch was born in Englewood NJ and currently lives and works in San Francisco CA. Solo and Group exhibitions have been featured at: Schneider Museum of Art, Ashley Oregon, Bedford Gallery of Contemporary Art, Walnut Creek, CA, SFMOMA Museo gallery, San Francisco,CA, SFMOMA Artist Gallery San Francisco, CA, Gallerie Citi, CA. .
Artist Statement
My new work involves the creation of urban based Idealized landscapes in dream like circumstances. Ambiguous relationships and unsettling juxtapositions.
I am focusing and dissecting, rearranging forms derived from the architecture of the bay area to create new perspectives.
My text are idioms of my perception of reality base on the Current social political life we live.
The outcome can be whimsical and yet it offers a serious sociopolitical commentary on the changes to our urban landscape.
My perception of reality, and how I interpret it, was shaped by the implications of the housing scandals of the last decade.
I am attempting to combine these observations to create a compilation of connective awareness.
In 2006, I began working with architectural forms using ink, pencil markers, acrylic paint, and archival pigment. My use of these materials has become a prominent feature of my work..
I was fortunate to attend the School of the Visual Arts in New York City in the early 80’s with artists such as Keith Haring and Kenny Scharf.
As a musician my band played at CBGB's in 1986 & 87 at the Christmas special as the 'Special Guests' after the performance in 1987 we performed live on WFMU radio.
My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.
My film debut was at the Castro Theater in San Francisco, BAM in Berkeley, CA, and The Kitchen in New York City in 2000.