Heidi McGurrin specializes in Fine Art, Commercial Display, Weddings and Portraiture. For the past few years she has been teaching as a Professional Artist in the Schools for the Arts Council of Monterey County and giving her own private workshops on creativity, using journal and collage imagery to create individual personal stories. Her work has been featured in Books, Magazines, and on album covers locally and nationally. Her photographs have been published in 'Steinbeck Country Revisited' 2000, and 'Coyote' by Richard Miller. Her illustrations accompany the stories in the 'Rocky Point Murders' published October, 2001. Her ‘Havana Dream’ book has just been published on Blurb.com. For the last 31 years she has been photographing Big Sur, and the Central Coast of California, the Southwest and the Southern hemisphere. Cuba, Haiti and Mexico. She has worked with several well known photographers including Brett Weston, Cole Weston, Al Weber, and Morley Baer.

Heidi’s photography has been exhibited in Galleries and Museums throughout the Central Coast and Washington D.C. She recently finished a commission for the Santa Lucia Preserve in Carmel Valley. She has exhibited at the Monterey Peninsula Museum, the Carl Cherry Foundation, the Center for Photographic Art, and the Ansel Adams Gallery, to name a few.

She has a strong interest in Mexico, Cuba, and Haiti from where she has recently returned with a rich collection. Her images evoke the time and spirit of the currently unsettled states, and endangered lifestyle of their people. Heidi McGurrin is becoming known for her Cuban, Haitian and Mexican work. She has been honored to present her Cuban Exhibition work on Capitol Hill in Washington D.C. In May of 1998 she was invited by Congressman Sam Farr to present her collection of Cuban photography in the the Cannon House Rotunda. Her life thoughts and travel impressions were written into the Congressional Record by Congress. In September 2011, she published her Cuban book ‘Havana Dream’ on www.Blurb.com.

Heidi photographs tell stories that make you feel the rhythm of our planet and helps us understand it better. Her images are about being strong and being in one’s heart. The timeless beauty of her photography surrounds us and makes us feel the infinity of life itself.

Photography allows for the exploration and alternate perception of our daily environment. What touches me most, is seeing the transformation of a priori insignificant objects into meaningful and beautiful ones. My pictures are the result of a wandering and wondering state of mind. My interest expanded to other visual art practices: collages and paintings. In the collages that can be “classic” (paper and glue) or digital, I can pick colors, shapes, models, objects, sceneries. This allows me to use the images made by other artists and incorporate them into mine. This is a common artistic approach, in which the art of someone else resonates in us and can be revisited. I also started painting, experimenting with different types of paints: water color, acrylics, oil paints, inks. My paintings represent sceneries inspired by cities and seashores or ideas summarized by symbols. As I view photography as creating a picture from multiple “outsides”, I view painting as creating one from multiple “insides”. While most of my work is photography, some images are the results of several ones. Combining photography, sometimes images from magazines and paintings through digital processing allows to apply and discover in a fast way various changes a picture can go through, and the different meanings it can convey. By assembling several images, I summarize in one, emotions, stories inspired by personal events.

Ramon’s Tailor is a former tailor shop that was transformed in July 2011 into a small, volunteer-run artists’ clubhouse and studio in the Tenderloin neighborhood of San Francisco.

The uniquely, intimate, subterranean studio is always open to interaction through a large vitrine window—stop by and see what we are up to.

I am primarily a landscape painter. I specialize in trying to paint reality; painting what I see as accurately as possible and trying to capture a real moment.

Last November, I took a plein air painting trip to the suburbs of Vegas thinking I would capture some great housing subdivisions. After a lot of hard-work and travel (and some enjoyable sight-seeing), the paintings did not turn out as well as expected. Disappointing.

Back at home, I decided to paint fruit and veg in the studio. Generally I paint still lifes every year for auctions or whatever, but this turned into a whole series.

My sister was always telling me to get rid of stuff. "Take a picture of it and then get rid of it." I added some objects to the pictures but I did not get rid of the objects.

I am pleased with the results. It is still painting reality, but easier--much easier. And you can eat some of the stuff when you are done.

Hugi The Great Productions supports and encourages the artistic pursuits of funky little sisters around the world.

Virginia Barrett is an artist drawn to capturing form and color in nature, landscapes and sculptural work from diverse cultures. Her series of mixed media painted poems celebrate a unique, spiritual relationship between the word and image. She is a published poet and author; her most recent books are Mbira Maker Blues—a healing journey to Zimbabwe and Radiance—poems from Mendocino. Her illustrations grace both books.

Each person experiences the world in their own way, making truth subjective. My artwork is a visual representation of my truth, through my eyes and experiences. The pieces all start off with an initial idea but always grow into whatever they were meant to be. I don't attempt to depict the world as we see it. My work is about letting my little intrigues tempt you into my world of lies.

Miranda Caroligne represents the work of Miranda C. Burns. While Miranda’s talents range from performance art to philosophy, and installation art to authorship, her primary focus is the creation of wearable art from salvaged textiles. She was raised in the nature of woodlands and oceans, nestled among a pile of scrap fabric with a needle in one hand and a magnifying glass in the other. Formally trained and licensed as a Physical Therapist (MSPT), Miranda has her own unique way of tailoring garments to enhance body form and mechanics. Miranda’s creations are based on much more than aesthetics. Her work is infused with concepts of individual self-expression, DIY practices, realistic body image, diminishing waste, supporting local economies and sustainable living. This ethos is masterfully woven together to recall the forms of yesteryear and the function of today with an otherworldly edge -- a heartfelt core philosophy she calls “neoarchaic.”

Miranda’s designs have been available to the public since August 2001, and are proudly adorned by performers and fascinating individuals for their playfully dramatic qualities. Her fashion performances and stunning one-of-a-kind creations have established her as a bright star in San Francisco's constellation of provocative artist-designers. She gives a fun peek inside this world in her book, “Reconstructing Clothing for Dummies." After 5 years of running her namesake boutique in the Mission, and just over 3 years behind the Haight Street cooperative, Trunk; Miranda has relocated to the artist live-work community, Developing Environments. It is here that she is able to refocus her energies towards her private commission clientele, expand her designs into a growing number of new cities and let her busy hands explore a variety of new media.